Monday, April 29, 2019

Toys In the Attic


Your Toys  

I had my favorites but father
time or what passes for,
whisked them off stage by the end
of the opening act. Fat maple
pegs and mommy’s mixing bowls
gave way to bags of injection
molded plastic soldiers sighting rifles
thin as grass blades, duty bound
to do the bidding of a fumbling god.
The best of them draw and hold
the attention of the bossy matryoshka
humming in our head, soaking
up every jot and tittle, conducting
symphonies of reach and grasp,
weaving stories out of whole cloth
to explain what can’t be explained.
Out of necessity Abraham Lincoln
whittled his own out of hickory.
Human skulls and scorpion fights
kept Alexander occupied waiting
on greatness to arrive.
Heaven for me is watching you light
on one after another, pollenating
the world one grain at a time, the man
you’ll become a dot on the far horizon  
homing in on my outstretched hand.





  

Cocktail party


Drover

“Now, you take cattle drives”,
five words overheard at a cocktail party
draw you like a magnet to a clutch
of people, academics mostly, maybe
a few hotshot dotcom vacqueros bolting
Colonel E.H. Taylor Bottled-In-Bond
bourbon, desperate for purchase
as puppies on teats. Stetson
big as the Magic Fountain of Montjuïc,
pearlescent buttons, matched mother of pearl
handled six shooters, Sam Elliot, the hope
as you shoe horn in, sharp elbows
shucking an oyster, expecting a pearl.
Beeves are to blue bonnets, longhorns to lies,
for all I know, but that doesn’t stop me
from painting wordy Remington’s
evoking time on the Chisolm and nights
in the saloons and whorehouses of Abilene.
I return the nod and tip my glass in tacit
complicity, pale natives of northern latitudes,
accustomed to conspicuous plentitude,
keeper, each of the other’s secrets.

 




Thursday, April 18, 2019

West of Houston


The Brazos

On a bender in Richmond the river bellows
filthy corridos then drops his pants and assumes
a stance, the last thing he remembers before everything
goes black. Coming to, there’s no ignoring
the nasty gash and disgorged issue stinking in the flat
light of day. Fetal curl around the oxbow, moaning
low beyond the cotton woods, he cradles  
the battered face of Richmond Trailer Village
and murmurs something in Spanish, metallic
exhalations that sound to me like words of regret,  
a man who may not speak the language,
but knows his constellations, the accumulation
of old scars on her once pretty face.